Showing posts with label Arts and Literature. Show all posts

Poetry| Like Clouds In The Heavens| by Abdulhafeez Oyewole

 


These words are famous like Lincoln

Erudite and oratory as Luther King

Heavy like Sullivan and Fury-

Jabs you would gladly pray miss you



Spittle and sparkle 

Spewing that bubbles 

Raging that troubles like 

The stomach rumbles-

The trait of wordsmith



Watch a fate like the weather

What a solitary and enduring trip 

Like clouds in the heavens...


- Abdulhafeez Oyewole is a multi-media journalist and a Nigerian poet with two poetry collections: Tides of Verses and Air Around Us

The Association of Nigerian Authors and the Established Pattern in Election Shenanigans: A Personal Message of Hope- by Chidozie Chukwubuike



A keen observer would have noticed the apolitical pretentions of the writers that populate the Nigeria's writers body.

The first thing you observe is some kind of grandstanding, a pretention to a non existent political piety.

It is said that the writer is the conscience of the nation. This is however one of those numerous unexamined expressions that only massages the ego but 'signifies nothing'. 

The writers of any nation are either as good or as bad as the institutions that produced them. The snake cannot cease giving birth to lengthy offsprings.
Here in Nigeria abound numerous examples of fine (even great writers) who took up political offices and have not been any different from the regular Nigerian politicians. They write beautiful literatures in defence of evil.

Perhaps, it would be safer to say that the writer in a country with the culture of sanity is the conscience of the nation while the writer in a country with the culture of subversion is the albatross of the nation. In Nigeria, it appears the latter prevails. No doubt there might be few isolated exceptions, they do not form a substantial pattern to be called the conscience of the nation.

One therefore is often quite bemused when, at every election year of the Association of Nigerian Authors, some 'politicians' unleash all manners of blackmail to either win or help their candidates to win. Every election year these writer-politicians conjure this 'conscience of the nation' cliche to whip up false sentiments.

This holier-than-thou posturing of the Nigerian writer has not helped the writers' body because anything founded on false pretenses cannot be sustainable. Other organizations like that of the lawyers, doctors, journalists, teachers, actors, etc make bold to play their politics without pretences. And these bodies are recognised by the Nigerian state. In the Association of Nigerian Authors, the politics of succession is played the Nigerian way with all the accompanying vitriols, bitterness, slander, calumny, intimidations, blackmail, underhand manipulations and rampaging impunity. The only difference is in the bare-faced denial of the obvious by the writers. It did not start today. From Makurdi to Yenagoa to Owerri to Minna to Zaria to Illorin to Uyo to Abuja to Enugu, etc the story is the same.
We have seen 'acciuntability,' ANA Land, identity revalidation, etc weaponized every election year. We have seen the police, the courts, the DSS and even the army used exactly the same way they are used in normal partisan politics in Nigeria, yet the writers pretend they are not like the regular Nigerian politician.

At Enugu Denja was accused of all kinds of criminal acts, Camillus was labeled Denja's stooge and Maiwada was accused of importing non writers and even using his position as legal adviser to do some shady things on the ANA Land... Now at Abuja I hear that Denja is no longer the criminal, Camillus is now the 'embezxler of funds' but no longer Denja's stooge, in fact, I heard the new president was labeled Camillus' stooge.

Perhaps, Maiwada didn't feature quite prominently this time because he did not come out to campaign.
 
Some platforms masquerading as preaching unity were actually being used to advance certain political interests. Nobody was spared in the onslaught. Even the good Dr Gomba who meritoriously won the NLNG Literature Prize was subtly blackmailed and asked to abandon his quest to be vice president for a fictitious 'unity' conversation. All was politics!

The sad part is that amidst all these shenanigans nobody is taking note of the real concrete gains. Nobody seems to have noticed that this year's electoral contest was very keen and balanced. Nobody appears to have noticed that in spite of the bickerings on the side by the one-eyed mourners who mourn more than the bereaved, the contestants themselves tried to make their campaigns issue based. No one seems to have noticed that the avalanche of congratulatory messages pouring in to the eventual winners, particularly the president, cuts across the pre-election divides. These are gains. It means there is hope for the association. No matter how slow paced, the association is making progress.

My only fear is of the vicious cycle where every election year the writers are dragged through this tortuous route that leaves injuries that take long to heal, sometimes they never heal. 

Now that the elections are over, can the writers take out time to focus their writings on self examination? Let the writers first purge themselves of the daemon of denial, tell themselves through their writings the bitter truth that there is no difference between them and the regular Nigerian politicians, then begin to speculate and imagine how they can make the politics of their association a model.

If a writer is convinced that a leader of their association betrayed the trust of his/her office then it must be followed up with proper judicial prosecution and not the same media trial always deployed by regular Nigerian politicians.

Perhaps, this is the time for Nigerian writers to sheath their swords, go back to the drawing board and see if they can give substance to the phrase 'conscience of the nation' or just let the phrase remain an empty expression that signifies nothing.

Congratulations to you Mr President and your new EXCO. I wish you good luck.

- Chidozie Chukwubuike writes from Owerri, Imo State.

Poetry| Ọ̀KẸ̀RẸ́ G'ÓRÍ ÌRÓKÒ... | By Dr. Sàngódáre Àyìnlá

Àkànbí, dance like the small snail! 



Path to victory, like
the red road to freedom...
 splinters of bottles! 
heavy load of horns
 with an image of lion's head
the length of an ìrókò 
 is a boulevard of terror
when the beast of road 
roars like a lion, 
how many hearts dare wait? 
it's only the tough griot 
that chants 
when the rhythm of music goes cryptic
triumph is a twin brother of shellacking... 
one, 
slim... 
the other,
fat! 
Don't you know that:
(Ayọ̀ a bí ara tí!ntín!)? 
victory is an idiom of the hunter's win
at the twilight... Ships of victory
 do not sink at the instance
 of the tempest of gremlins 
Usman Ọládiípò Àkànbí, 
your victory is the proverb of ọ̀kẹ̀rẹ́ 
who climbs the high ìrókò tree
and shames the foes! 

Àkànbí, wield your victory wand! 
001 of ANA, 
you perch on the roof:
your ears grasp every word!


- Dr. Sàngódáre Àyìnlá is a member of ANA and Information Officer with the Kwara State Ministry of Communications.

Story| The Golden Mean | By Henry Chukwuemeka Onyema

Photo credit: Oziel Gomez

David drove to his office in a daze. Glad that work had ended for the day and most of the staff had gone, including his secretary, he flung himself in his chair, stretched his legs on top of the files strewn across his desk and shut his eyes.

Man, he had not expected such a hot brickbat. But then perhaps it was what he needed. Nagging fear clutched his heart: was there still any hope left for him and Njideka? Had they gone too far down the slippery road to the point of no return? Reverend Adolphus had assured him that all hope was not yet lost. ‘As long as the signals have not completely died out you can recharge the batteries. If you still love her make the move. Like you did when you were chasing her. In spite of all this women lib stuff the ladies still want bedroom warriors. At least most of them.’ David had come away rather amazed that a man of the pulpit could talk so forthrightly and knowledgeably about matters of the flesh. But then the young Anglican clergyman was one of the most maverick pastors in town. In addition to his degrees in theology and Biblical studies, he earned a first-class degree in Psychology from the University of Ibadan. Male members of his parish often held up his wife as a model of godly sexiness to their wives and girlfriends.


David sighed and let the Technicolor slides of the past five years with Njideka play in his mind. It was all as fresh as yesterday and now as sad as a bleak rainy day. He met Njideka at a mutual friend’s birthday party. Whether it was love or lust or a combination of both at first sight, neither could say. None of them cared either because they ended up in David’s bachelor pad after the party, tearing off each other’s clothes and burrowing into each other in a sheer wave of carnality that made them forsake the bed and take to the floor. It should have been a one-night stand but apparently they could not get enough of each other. Both had so much in common: they were Anglicans; their home villages was just three kilometres away from each other in Imo State; they got their degrees from Abia State University, though David majored in History while Njideka started off with Economics before switching to her dream discipline, Law. Both were top students, amazingly missing first-class by cat’s whiskers. Both were driven and super-ambitious. Both were opinionated and relished challenges.

And both felt they had found the one who would meet the needs of their hearts without any yeye compromise. When they got married, David was a middle-level manager at Straight Kings, the leading HR firm in Lagos and clearly headed for the top. Njideka was already making her mark as one of the dynamites of Femi, Kanu and Iroko Chambers, the undisputed leading light of the private legal enterprise in South-Western Nigeria. Within two years of marriage, the bedroom was replaced by the office. Files, phones and laptops took the place of pillows, duvets and bedsheets. Sex, whenever it happened, was a pain in the ass and a clear obstacle to planning the latest Power-Point presentation or preparing briefs for those legal fireworks. But then certain marital duties had to be performed. After two years during which they prospered financially from their exertions, subtle hints came from families and friends about a little boy or girl in the house. Njideka would not deny her brooding but she was also hungering to be a senior partner in the illustrious chambers and possibly be in charge if the head honchos set up a branch in the East. A baby would not be convenient for now. She was glad her man was the modern, yuppie, career-driven New Age husband who would not be tied by traditional concepts of the marital life.

Alas, it was not to be. David was still a man and his machete demanded a farm to weed. Rebuffed repeatedly, he called Njideka in for a serious talk. He got the shock of his life when his wife made it clear her fast-track as the female power house of Femi and Associates would not be derailed, even by konji. The resentment and quarrels got too much for both of them. Soon they talked only in monosyllables, and only on the most essential and most mundane matters. Somehow, despite all the hints he got from attractive female colleagues and clients, David held out, temporarily quenching matters with porn and masturbation. Anger seethed in him. One night, he got home and had an awful fight with Njideka, turning into an almost demented tiger. ‘Fuck the career-climbing. I didn’t bargain for this.’


‘Well, you have it and you better live with it. Dick and pussy doesn’t bring the good life,’ she thundered back, a sexy hellcat at that moment.

‘My learned friend, go get the divorce papers. I can’t go on like this.’

‘What did you say, David?’

‘You heard me. This is no marriage; it is a goddamned board meeting.’ He grabbed his jacket and stormed out of the house. He returned to the office, thankfully free of staff, and for the first time in ten years, cried his eyes out. He did not know that Njideka was also soaking her legal briefs with tears and struggling with her personal demons and desires. David ended up in a night-club and in the arms of a big-breasted escort who confessed he nearly ‘killed’ her with his wild waist sciences.  

The home front was now broken. Each passed the other tight-lipped in the corridors. Each went out for days on end without keeping the other informed. David half-expected divorce summons any day.  

Hot guilt over his repeated sweet trysts at night-clubs filled his heart. One night, after a rollicking session with another escort, he went into the bathroom to clean up and broke down in tears. 

‘Why are you crying?’ 

He turned. It was Marcie, the escort. He doubted it was her real name. She was dragging on her cigarette, her lush tresses falling wildly down her shoulders, her most suckable breasts unbridled beneath her towel. Her long legs were raw sex on the move.

David knew he should just shut up and leave but he so badly wanted to unburden his heart.

‘My marriage is gone.'

‘Care to tell me about it?’

‘Why should I?’

Marcie‘s smile was sincerely sympathetic. ‘It will do you some good and at least clear your head to drive home without tears blurring your eyes. Come.’ She led him like a mother guiding her troubled son to the small but neat sitting-room. She retired into the bedroom where they had turned the earth upside down in a frenzy of coition and returned, decently dressed in a T-shirt and knee-length skirt. She handed him a Coke and sat opposite him.

‘Talk. I will listen.’

David could not believe her disposition. But then he had read somewhere that prostitutes give men far more life-saving services than mere release of konji. He sighed and talked. When he finished, an almost visible silence filled the room for a couple of minutes. Marcie looked up and smiled enigmatically.

‘No wonder you were thrusting like tomorrow will never come.’ She paused, apparently ignoring David’s discomfort which he tried to hide with gulps of Coca-Cola.

‘Go home, take her in your arms and give it to her as you gave it to me.’

David looked at her as if she was a bundle of idiocy.

‘Haven’t you been listening to me?’

‘Sure, loverboy, I have.’ She reached for a cigarette, noticed the flicker of disapproval in his lovely eyes and decided to humor him. ‘See, I am a woman and I can bet you all you paid me tonight that right now your lady is in deep torment. She wants her career badly but her body craves for you, the man she loves. Be her man. Love her till she is healed; then both of you find the balance. The golden mean, as good old Aristotle said.’

The high-flying HR expert did not know his mouth was wide open in sheer amazement. Sure, things had so degenerated in Nigeria that undergraduates and graduates were taking to prostitution, popularly known as hustling, to make ends meet. But he never thought the day would come when he would see a commercial sex worker tossing off Aristotelian philosophy.

‘Jesus' was all he could say when he regained control of his mouth.

‘Indeed. Now go and do it and may the one you called just now help you.’

David sighed heavily. His guilt-riddled countenance was as readable as a CNN headline. Marcie guessed what was troubling him.

‘You have made the mistake. If things were okay between you two, you wouldn’t be here. Who knows what she might have done since you guys became Iran and Iraq? Healthy women love to meet the needs of their clit, you know.’ There was no element of vulgarity in her voice. ‘Go, and good luck.’

They stood and stared at each other. Marcie ‘s hazel eyes looked so much like his favorite late aunt’s that he had to restrain himself from hugging her. At the door, he turned and spoke softly.

‘You are much more educated than me. Why are you doing this job?’

‘Because somebody has to do it. I have served you a great purpose tonight, abi?’

‘Yes. Thank you.’

As soon as the door closed behind him, Marcie went into the bedroom, lit a cigarette and let her tears flow. For herself. For the man whom David reminded her of; the man she loved like no other and had been killed fighting against Boko Haram as a Lieutenant and member of the Special Anti-Terrorist Squadron of the Nigerian Army.    

After two days of mental struggle David went to see the funky but wise man of God.

~~~~~~

Njideka sipped her cognac and smiled humorlessly. She had never been much of a drinker, even socially, but recently she had taken to relaxing with some cognac after the day’s labors. Loneliness at home inevitably increased the quantity she downed. ‘Watch it, Nji girl, or you might end up a shayo mistress,’ she said to herself. She closed her eyes to imagine herself in an inebriate state and laughed bitterly. She set down the glass on a side stool, stood up and glanced at the wall –clock. 8.30p.m. She was not expecting David home but a heart-breaking pang of sorrow hit her hard as she reflected on how they came to this sad pass. She shivered as she vividly remembered those x-rated texts David used to send her towards the closure of work. Texts that got her wet between the legs and made her silently but venomously curse anyone who dumped any work on her desk at that time. Those days when they discussed work and ended up fucking on top of files. 


Where had it all gone, she wondered for the millionth time. Where is the spring and the summer, as the hit Swedish pop band Abba sang in their heart-tugging masterpiece ‘Hasta Manana.’ She began to pace the elegant room. It was the master guest-room in their de luxe six-room bungalow; she had moved into it shortly before the conflagration that was consuming their marriage. Initially she had not intended to remain cooped up there at nights, just pausing to keep sexual heat away from the growing demands of her job. But David had gone beyond reason so there was no point returning to their bedroom. But now, as she took in the expansive bed, the beginning of tears formed in her eyes. Without any deliberate plan to do so, she stopped before the in-built full-length mirror situated in the far left cream-colored wall. Her eyes fell on her reflection which was amplified by the bright light overhead. 

Photo credit: Kelly Sikkema

At twenty-nine years, she had the figure of a woman nine years younger. Endowed with a beautiful ripe-pear complexion, average height and a small, neat, curvy body that could excite unholy thoughts in a priest, her oval face could not be described as classically beautiful. But the sum of her impish dark eyes, the well-carved nose, smooth and immensely kissable lips and high-cheek bones gave her demeanour an arresting attractiveness. Her breasts were by no means the typical big African mangoes but they always looked like determined rebels whenever she was on the move, even in her legal attire. Whatever she wore sat neatly on her compact backside. It was the movement of her backside under her denim skirt at the party that got David into trouble.

She sighed deeply and looked at the small mesh of lines at the corner of her eyes. Where had they come from? She had not seen them before. Or perhaps they had been there but she had apparently not noticed them. To think there was a time these lines were not there and her sunlight had not dimmed. She returned to the sofa beside her bed and reached for the bottle of cognac. At that moment the front door bell rang. She paused. The bell rang again as she got up.

‘Who is it?’

‘Me.’ It was David.

Njideka glanced at the clock. 9.15p.m. The rat was rather home early today. Steeling herself to look unbothered; she approached the door and unlocked it, then walked back to the room wordlessly. David entered, shut and locked the door. In the natural order of their war, he would not bother to greet her. He would retire to the bedroom, bathe and either go to bed or catch the news from Aljazeera or BBC from the portable TV he had moved into the room since she moved out. There was no question of dinner. He took care of his stomach outside though he faithfully credited her account with family upkeep money and kept her informed when he did this via whatsapp. 

But now he went to the shut door and knocked gently. Njideka looked up from her mobile where she was trying to engulf herself in, of all things; the Brittle paper bestseller erotica by Obinna Udenwe mischievously titled ‘Holy Sex.’ The knocking was persistent. She ignored it.

‘Darling, please open up.’

Silence. Njideka’s heart and head danced with a cocktail of barely restrained emotions.

‘Nji, I am not leaving here till you open this door. ‘ David’s voice was low, calm and sad.

‘Didn’t you see your whores tonight? You can mount sentry for all I care.’ Njideka was chagrined at the strident note in her voice.

‘There is no whore, nne. This madness has gone far enough. Please, open the door.’

Silence for what seemed like a century. Njideka dropped her phone on the sofa as tears filled her eyes. She knew her self-control was virtually gone. But somehow she remained glued to her seat. David began knocking again. 

‘Leave me alone!’ she shrieked. ‘You want a divorce; you will get it.’

David took a deep breath.

‘Nji, I am sorry. They were the words of a frustrated man. I love you and will never leave you.’ The words rang true. Njideka broke down and cried openly. David’s heart bled as he heard her sobs.

‘Nji, o zugo. Please.’

The door flung open like the released entrance to Aladdin’s cave. A sobbing Njideka turned to go back to her seat but David caught her with gentle ease and held her arm fast. The months of pent-up anger, frustration, guilt and passion raged in her struggle to let go but David gathered her to him and virtually crushed her in an embrace. Gradually she ceased and sobbed heartbrokenly. David could not restrain the tears in his eyes and voice. ‘It’s okay, it’s okay,’ he said repeatedly. ‘Forgive me. I love you.’

Njideka looked up into his eyes.

‘Davi m,’ That was her pet name for him. A name David had longed for like mad. ‘I hurt you badly. Gbagharam, biko. Can you pardon me?’

‘For calling me that, I can forgive you anything.’ He was not kidding and she knew it. He sighed. ‘I have to tell you something.’ The difficulty in his voice gave her the message.

‘Later, Davi m. I know what it is and heaven will not fall.’ She took his right hand and led him to the bed. David followed her obediently. They sat side by side. ‘Fuck me till I faint,’ she said hoarsely, the pool in her eyes almost drowning him.

‘Are you sure about this?’ David tried to ignore what her words, her scent, her desire, were doing to his loins.

‘Yes, I can’t go on like this. I’d rather get drunk on you than cognac.’ Before David could reply she pushed him on the bed with surprising strength. David had removed his shirt and vest in the bedroom but had his trousers on. Njideka wore shorts and a loose-fitting T-shirt. David’s engorged manhood nearly burst as she swiftly peeled off the shirt and her swollen mammaries jumped at him like a commando’s knife. Was it his imagination or had they grown to the size of medium paw paws? Njideka smiled at the flare of lust in his face.

‘Want some breast milk?’

David pulled her down and pressed her body hard on his. Njideka gasped at the tip of his iroko touching her womanhood; his chest burrowing into her painfully ripe mangoes; his male scent mixing with her womanly sexy aroma.

‘I wan chop,’ he whispered gutturally.

‘Your wish is my command,’ she replied, giggling with unbridled happiness. Only Hymen knew how much she had nearly tumbled into the chasm of depression because there was no-one to eat her ikpu since she and her husband went to war. David watched, transfixed, as she got rid of her shorts with the subtlety of a strip-tease in heat, cupped her boobs and lay back on the bed. Anticipation and something akin to sweet dread engulfed her being.


David‘s lips and fingers went to work. While he kept his hands on her breasts, his fingers playing her nipples and all the circumferences of her aureoles, his mouth researched her genitalia with the dexterity of a PhD candidate writing a thesis on a subject dear to his heart. By the time his lips dug into the candy of her clitoris, Njideka was making sounds very much like those of dogs fighting over a plate of juicy meat. The sounds and crazy mix of Igbo, English and gibberish emanating from her mouth could have set an eunuch’s head on fire and David was no eunuch. He ate and ate till she let out an unalloyed scream which must have pierced the sound-proof walls.

A nam abia ooo!’ Neither of them bothered why she was announcing her arrival but somehow David’s head remained burrowed between her almost unhinged legs as she reached the destination of her orgasmic journey. Her husband raised his face, bathed in female juices, and watched as Njideka convulsed rhythmically on the king-size bed, a beatific smile on her face. Then he held her tight and let her tremors pass through him as she calmed down. They remained still for what seemed like years. Then Njideka opened her eyes and kissed her husband on the nose. ‘I needed that,’ she whispered.

‘I am sure you did.’ David wondered if the throbbing of his penis was real or imaginary. He gasped as his wife’s right hand snaked out and took charge of his shaft, sneaked to his balls. ‘You are killing me, babe.’

Njideka smiled wickedly and made him lie on his back. She propped herself up on her knees, bent and descended on his manhood with sweet savagery. David was no stranger to blowjobs and back in the old days Njideka had been one hell of a dick-sucker. But this one was unique. She did not shut her eyes for a moment as she devoured shaft, scrotum, testicles; the entire package. David’s head seemed to erupt as she unexpectedly went slow, then fast, gentle, then almost rough, light, then amazingly heavy with both mouth and fingers. At one stage, her alternately cool and hot lips ceased their mission of mercy. Almost at the door of Nirvana, David opened his mouth. She smiled her wicked smile again.

‘Say nothing. Just enjoy the ride.’

She formed her right hand into a circle, wrapped it around the trembling manhood and gently lifted the skin at the base of his erection. David knew he was a goner. Two more of that and he would come. He gritted his teeth in anticipation. Njideka tugged once more, and then abruptly took him almost savagely in her mouth, letting her lips encase his entire velvet, compelling the JT to travel as far as it could down her throat. The sky burst open. David could not help the rough cry that escaped his lips as he bucked and exploded. White milk gushed as if from a broken tap. Njideka’s face was rinsed with perhaps the biggest man-goo she had ever sampled during coition. She paused very briefly to give her dribbling mouth a little respite before getting back to work. She sucked and licked till there was nothing left in the pipeline. Almost perfect silence reigned, only interrupted by the sound of the in-built split-air-conditioning unit.

‘Are you still alive?’ Njideka asked mischievously. She had adjusted her position to place her naked trunk on her man’s inert form, making no effort to clean her face. David wrapped his arms around her and she purred like a contented cat.
‘Guess BJ 101 was a compulsory course in the Law Department.’

‘Of course. That’s why I am a first-class bongi advocate.’ The sultry way she spoke made David resolve never to have such undue period of abstinence from her again.

He looked into her shining eyes. ‘Where do we go from here?’

‘All the way to paradise. Remember, you must fuck me till I faint.’

David sighed. ‘We must go to work echi.’


She smiled as if reassuring a little boy who forgot to come home from school with his assignment notebook. ‘Today is Friday. Not that I care.’

The realization that the weekend with its sweetly unholy potentials stretched out before them activated David’s juices. He swung her up and laid her across his lower regions. ‘Let‘s get to work.’

~~~~~~

They did not step out of the house that weekend. In fact, only the need to bathe and eat made them engage in non-erotic movements. All phones were switched off or put on silent. They unleashed every device of erotic enjoyment their minds could conjure. David was happily shocked by his wife’s unorthodoxy and more than once wondered whether their unplanned celibacy had brought forth the beast in her. On her part, Njideka rejoiced in her man’s ultimate willingness to recognize her needs and incorporate her pleasures in his.

No sex style was left unattempted. When David sought for a condom, Njideka firmly shook her head. He hesitated. She kissed him reassuringly. ‘I know you fucked outside during our fight. I also know you used protection.’

David could not hide his surprise. All his trysts with escorts, including Marcie, had been with packets of Gold Circle. He insisted on it and the commercial sex workers, more used to the average Nigerian client who preferred skin to skin, happily obliged.

‘Who told you?’

‘I know my man. Now shut up and give it to me like those dogs that roam about in my village market.’

They downloaded X-rated stuff from the internet together and tried out what they watched. At David’s suggestion, they took to bedding like bunnies in all the bedrooms in a sex game he called ‘Bongi the Rooms’ and ended up in their abandoned marital bedroom. Njideka could not restrain the emotion that overwhelmed her as she lay on the bed. Her tears flowed with the surge of her husband’s groin in her thighs and when he took her in the wildest jack-knife style on the bed, she sobbed and screamed unashamedly. When she finally regained her senses, she hugged him.

‘If you don’t share this bed with me again I will shoot you.’

‘Never, Nji.’ He meant every word.  

 On Saturday evening, in spite of her insistence, he joined her in the kitchen as she dished out food. The exercise lasted longer than usual for some reasons. First, Njideka went into the kitchen wearing the shortest and most pussy-defining bum shorts she could lay her hands on and a bra the late queen of American porn, Linda Lovelace, would have killed for. Second, when she opened the fridge and bent to collect a cooler of stew, something drastically shoved her from behind against the cool fridge. Something hard and rigid in her hole. All thoughts of food were suspended; indeed the thrusts suspended her memory as David gave her raw fireworks in the kitchen. They ended up eating in the kitchen naked.
Later, well after midnight, after an exhilarating 69 session which culminated in a good pounding in sensational missionary-style, they lay in each other’s arms, spent and swimming in unmatched bliss. Abruptly, Njideka gently nipped at David’s left ear. He opened his eyes.

‘Emm?’

She sat up, a pensive look on her face. David guessed she wanted to download some information and also sat up.

‘My bosses offered me headship of their newly established branch in Onitsha.’

David felt an invisible cloth covering the glow that had taken hold of his soul since their reconciliation.

‘And have you accepted?’

She took a deep breath.

‘I must give them an answer this week.’ She suddenly put her hands on his shoulders and looked into his eyes.

‘It is one hell of a chance in a lifetime. But I don’t want us to go to war again or worse.’

David smiled and took her in his arms. When he released her after a tight love-lock, he focused a warm gaze into her beseeching face.

‘Do you really want to go? It will be tough but we can work things out. You deserve to get to the top of your career.’ 

She spoke quietly.

‘I know. But after this weekend, I guess my priorities have sort of been readjusted. I know what matters.’  

 David held her arms. ‘Don’t be hasty, Nji. Onitsha is not on planet Jupiter. We can come to an arrangement which will suit us fine.’ He sounded so sincere that tears sprang into his wife’s eyes.

‘No, darling. I don’t want a weekend husband, a cold home and a colder bed. One shot at that nearly turned me into a dependant on cognac. And what if the kids come? No, Davi m. I am not that liberated.’

Her man took a deep breath. He realized his duty was to support her in a decision that would be good for both of them. What an unbalanced world, he thought. If the shoes were reversed I, the world, would expect her to move with me, probably give up her job, just because I am the husband. He kissed her long and hard, only stopping when passion began to quicken their heartbeat.

‘Easy, babe. You are my wife, and your happiness and fulfillment matters to me. Take a decision that you can live with.’

Njideka asked him quietly, ‘Who or what transformed you, honey? It can’t be our bed-creaking exercises, though they helped.’ She grinned. David took a deep breath and told her about Marcie and Reverend Adolphus. She listened patiently. There was a short interval of silence, and then she took his right hand in both of hers. 

‘Thank you, Davi m. I love you.’

He gave her a blatantly evil look.

‘Prove it.’

‘How?’ She asked with deceptively child-like innocence.

‘By giving me a dangerous lap-dance in the sitting-room.’

She giggled.

‘Glad you want a dangerous one. O ya, make we go.’

Njideka politely told her bosses she would not accept their offer. Barristers Femi Okoduwa and Kanu Eze listened to her reasons and watched her intently as she spoke. When she finished, Okoduwa smiled knowingly.

‘Hope you don’t mind my saying this but you radiate a brightness that I have not seen in you for God knows how long.’

‘And a relaxed beauty, I must add,’ added Kanu.

Njideka could not help the laughter that bubbled up from her insides. The two doyens of the legal profession in Nigeria told her they would get back to her and assured her of their highest regard for her contributions to their chambers.

On Friday, she got a letter promoting her to senior counsel in the chambers of Femi, Kanu and Iroko, putting her in charge of the research section at the Lagos head office. 

###

Henry Chukwuemeka Onyema is a Lagos-based author and historian. Email: henrykd2009@yahoo.com

ANA Announces 2023 Fellowship Nominees


By: Abdulhafeez T. Oyewole

The national body of the Association of Authors (ANA), through its national Secretariat, has announced the list of its 2023 ANA fellowship nominees. 

The National Secretary of the Association, Maik Ortserga, made the announcement in a statement e-signed and sighted by The Words Finesse (TWF).

The list contains name of twenty-five nominees which, according to the statement, were arranged in no particular order.

They are as follow as seen by TWF.

1. Prof. Sunny Ijirhevwe Awhefeada
2. Prof. Emmanuel Dandaura
3. Prof. Joy Eyisi
4. Prof. Isidore Diala
5. Mr. Josef. Nengi Illagha
6. Hon. Justice Francis Chukwuma Abosi 
7. Dr. Tivlumun Nyitse
8. Dr. Tunde Olunsule
9. Dr. Raymond Anumve
10. Hon. Ernest Onuoha
11. Arch. Nimo Bassey
12. Mr. Ibrahim Sheme
13. Prof. Chris Onyema
14. Dr. John Otu
15. Alhaji Yahaya Dangana
16. Prof. Nuhu Yaqub
 17. Prof. Emeka Aniagolu
18. Yeye Yetunde Abiola Fosudo
19. Maj. Gen. Lawrence Pwanobato Ngubane (Rtd.)
20. Col. Oladele Babajamu (Rtd.)
21. Prof. Tony Afejoku
22. Dr. Kudo Eresia-Eke
23. Prof. Priye Iyalla-Amadi
24. C. Don Adinuba
25. Dr. Abubakar Othman

The statement finalized, "All nominees are expected to get in touch with ANA national secretariat and submit their citations for proper documentation". 

Congratulations to all nominees from all of us at TWF.

Three Books By Young Nigerian Poets Make The Shortlist For 2022 NLNG Prize For Literature

The Nigeria Prize for Literature 2022 has announced the shortlist of three poets, one of which will go home with this year’s prize money worth USD$100,000.

Su’eddie Vershima Agema's Memory and the Call of Water, Romeo Oriogun's Nomad and Saddiq Dzukogi's Your Crib, My Qibla are the three poetry books on the queue for the coveted laurel which favoured poetry collections this year. 

The announcement for the NNLG Prize shortlist was publicised virtually on various social media platforms such as Facebook, Twitter and Instagram to millions of followers in the literary community.

Making the shortlist announcement was the Advisory Board Chairperson, Prof. Akachi Ezeigbo, who was flanked on both sides by two of her board members, Professors Ahmed Yerima and Olu Obafemi. 

The prize jury are university professor, E.E. Sule (Chair); poet, Toyin Adewale-Gabriel and performance poet, Dike Chukwumerije.

Prof. Akachi Ezeigbo
According to Ezeigbo, “The books, in alphabetical order, are Memory and the Call of Waters by Su’eddie Vershima Agema. In this collection, There is a consistent use of memory to reflect on life and destiny through the metaphor of water. Nomad by Romeo Oriogun. The collection has a fresh language and a nostalgic engagement with the theme of exile and displacement. And Your Crib, My Qibla by Saddiq Dzukogi. This volume translates tragedy into lyrical poetry with pathos and effortless imageries.

“This year, our International Consultant who will also do a review of the books on the shortlist along with the judges, is Prof. Susan Nalugwa Kiguli. She is a Ugandan poet and literary scholar. She’s an Association of Professor of Literature at Makerere University, Kampala, Uganda.”
Su’eddie Vershima Agema

As teasers, here are excerpts from reviews of the three poetry collections. First is Agema’s Memory and the Call of Waters in AnoteArtHub: “From ‘When traffic lights went out’ in honour of Pius Adesanmi who died in a plane crash to ‘Transition II’ where ‘Our compound is a testament to the earth’s theft/ littered with concrete mounds, pillowed with/ fading names. Forgotten stories,’ Agema mourns the beginning of nightmares in his people’s encounter with herders who are the genesis of ‘earth’s theft’ of his compound. While in ‘Transition,’ ‘these graves are an encyclopaedia/ pages of our mostly forgotten past’, of deaths that occurred naturally, ‘Transition II’ assumes the macabre dance of herders murdering whole villages just to make way for cows to graze:

‘This river, this river…running behind the houses,/ rushes with urgency and waves as I leave/ warning of a time when herdsmen might lead us to Golgotha./ Our ityo, elders stand helpless while my daughter sighs from afar./ I raise a dirge of too many memories filled with holes,/ waiting to be patched when I become the earth.”

Saddiq Dzukogi

Also from TheNews magazine by Nehru Odeh is Dzukogi’s Your Crib, My Qibla: “Still, the pathos in Dzukogo’s poetry not only rings true it is also palpable. The collection is not just about a poet grieving the loss of his child, but a poet betraying strong, haunting emotions, which the reader senses line after line, metaphor after metaphor and imagery after imagery. And the memories that keep bopping up again and again and the sense of loss grip the reader so well that they also feel the poet’s pains and trauma.

“A salient feature of the collection is its polyphony, its multiplicity of voices, the striking manner in which the poet gave his daughter voice in the second section of the book and makes it dialogic. The book is not just about a poet expressing his own feelings but also about how he makes it dialogic, democratic and interactive by making his daughter, who is still alive though dead, express her own feeling.”

Romeo Oriogun

And Romeo Oriogun’s Nomad is described thus: 

“Oriogun combines the exploratory intensity of travel poetry with the confessional fidelity of a memoir to paint the journey of a curious child sculpting his truth into questing words across strange and known terrains. The result is a deeply attentive work brimming with wisdom and a power of observation.”

Undoubtedly, all eyes is now on October when the winner will be announced from the shortlist of three poets. Fingers crossed. 

Best wishes to the trio, from all of us at The Words Finesse (TWF). 

Nobel Laureate Soyinka To Teach Theatre in Abu Dhabi

Prof. Wọlé Soyinka 

Excitement In UAE as Nigeria’s Soyinka, who won the 1986 Nobel Prize in Literature, is appointed Arts Professor of Theater at NYU Abu Dhabi (NYUAD), effective September 1. 

“Remember Wole Soyinka? The beloved Nigerian playwright and Nobel Laureate? Well, he is now a member of the faculty at the NYU Abu Dhabi,” Gulf News announced as excitement permeated Abu Dhabi and the entire United Arab Emirates (UAE).

The Words Finesse reports that the NYU Abu Dhabi (NYUAD) appointed Soyinka, who won the 1986 Nobel Prize in Literature, Arts Professor of Theater effective September 1, 2022.

Described by the gulf newspaper as a “multifaceted artist-dramatist, poet, essayist, musician, philosopher, teacher, human rights activist, and global artist and scholar,” Soyinka is reportedly joining the “NYUAD Theater Program as a full-time faculty member, thereby offering the community direct access to one of the world’s greatest thinkers.”

Soyinka’s appointment is aligned with NYUAD’s Academic Strategy and its mission as a university in and of Abu Dhabi and the UAE. He will play a key role in continuing to enhance the University’s standing within the arts and its growth as a preeminent research and teaching university and leader in global higher education.

"It is a great honor to have Wole Soyinka, a world-renowned artist, academic, and activist, a true citizen of the world and a Nobel laureate join our NYUAD community,’’ said NYUAD vice chancellor Mariët Westermann.

“Our location in Abu Dhabi, a transnational crossroads for the exchange of cultural and artistic traditions, positions NYUAD uniquely to catalyse new creativity and discourse. We are excited to provide a home in the UAE for the beauty and power of Soyinka’s contributions to our understanding of our histories and our humanity,” she added.

“Soyinka has built an impressive legacy in his home country of Nigeria as well as Africa and the entire world. The students he has taught and mentored, and the legion of teachers who have translated, developed and extended his ideas, remain the most tangible and long-lasting legacy. Our community is privileged to be part of that journey and his ongoing work that will impact generations to come,” said NYUAD provost Arlie Petters.

Soyinka has published more than 90 works on culture and tradition, creativity and power, activism, and the artistic process. His most recent book published in 2021, ‘Chronicles from the Land of the Happiest People on Earth’, is a New York Times Notable Book of the Year, and has been described in the Los Angeles Times as a tour de force combining “elements of a murder mystery, a searing political satire and an Alice in Wonderland-like modern allegory of power and deceit”. Soyinka has previously held positions at other higher education institutions, including Harvard, Yale, Duke, Emory, and Loyola Marymount in the United States. He is also an active member of international, artistic, and human rights organisations.

In terms of his works, Soyinka’s The Lion and the Jewel (1959), A Dance of the Forests (1960), Kongi’s Harvest (1964), and Death and the King’s Horseman (1975) are widely regarded as his best works. Along with his writing career, he has worked as an actor, and in theaters in Nigeria and Great Britain. 

The NYUAD Theater Program is an academic and artistic laboratory dedicated to theater research, scholarship, and practice. For NYUAD’s theater majors, the making, thinking, creating and articulating of culture are inseparable, and the overall aim is to develop artist-citizens whose theatrical contributions will expand the limits of the field and make a difference in the world. NYUAD Theater Program graduates collaborate with other artists, scientists, and scholars across disciplines and invent new and hybrid cultural practices that will define and influence theater in the UAE and beyond.


Nigerian-born Varsity Scholar Shortlisted For Canadian Poetry Award

 

An Associate Professor at the Carleton University, Canada, Nduka Otiono, has been shortlisted for the Archibald Lampman Award for poetry for his new collection of poems, DisPlace: The Poetry of Nduka Otiono.

The Archibald Lampman Award is an annual Canadian literary prize awarded to the year’s most outstanding collection of poetry by a writer living in the National Capital Region.

Announcing his nomination on his Facebook page on Tuesday, the academic expressed excitement at his latest feat.

Giving more information about the award, the Nigerian-born Otiono said, “The announcement of the Archibald Lampman Award winner will take place at the Ottawa Book Awards ceremony. The event will take place in person on Wednesday, October 19th, 2022, at Les Lye Studio at the Meridian Theatre, starting at 7 PM EST.”

He further congratulated other shortlisted poets and appreciated his associates, for their contributions to the success of his book. 

“Congratulations to the other shortlisted great poets, and thanks to my family, friends, associates -especially Chris Dunton and Peter Midgley- and my publisher, Wilfrid Laurier University Press,” Otiono said.

Speaking on Otiono’s anthology, the Jury said, “Otiono’s edited collection of poetry reflects consummate diasporic writing, as at ease in Lagos as in Edmonton. Crafty and aware, these poems give us Otiono’s take on history, global petroleum, national politics, but also spend valuable time musing on tradition, literature, and love.

“Beyond the poems themselves—which churn with linguistic play, rhythmic force, and searing insight—this volume includes helpful commentary and a thoroughly illuminating interview between Otiono and Chris Dunton. Wonderful poetry from a poet who is already internationally important.”

Otiono, who hails from Delta State, had held multiple positions and won awards in Nigeria before relocating to Canada in 2006.


Prior to his relocation, Otiono had been a journalist for 15 years. He was the National Secretary of the Association of Nigerian Authors (2001-2005), two-time winner of the Carnegie Africa Diaspora Fellowship, and has held other scholarly positions.


In July, he was appointed as the Director of the Institute of African Studies at the Carleton University.


Last year, Otiono emerged as the Vice President of the Canadian Association of African Studies.

Foremost Nigerian Poet and Novelist Gabriel Okara Dies at 97

Gabriel Okara  (April 24, 1921 - March 25, 2019)
Gabriel Okara, one of Nigeria’s foremost poets and novelists, has died one month to his 98th birthday.

According to a family member who pleaded anonymity, Okara died at the Federal Medical Centre, Yenagoa, capital of Bayelsa state, on Sunday evening.

The Nigerian poet and novelist whose verse had been translated into several languages by the early 1960s, the source stressed was relaxing at his Yenagoa residence when he slumped around 4pm.

He added that the head of the Okara family has sent a text message out for an emergency meeting, and the family would issue a formal statement afterwards.

Meanwhile, the Association of Nigerian Authors (ANA), Bayelsa State Chapter, in a statement by its chairman, Mrs Bina Ilagha, said the association was saddened by the news of the death.

“The Association is ruffled by the news because it came at a time when preparations are in top gear to celebrate his masterpiece, ‘’The Voice’’ at 55.

“We are saddened by the news but are consoled that he left behind lofty legacies. Pa Okara, through his literary exploits put Bayelsa in the map of literary excellence,” he said.

Seriake Dickson, Governor of the state, has described Okara’s death as a great loss to the state and Nigeria.

In a statement on Monday, Daniel Iworiso-Markson, Commissioner for Information and Orientation, said the Governor has declared a three-day mourning for Okara.

Iworiso-Markson said for the next three days, all flags will fly at half mast.

Similarly, the speech writer to the Governor of Bayelsa, and one time Chairman of ANA, Mr Michael Afenfia, in a statement in Yenagoa expressed sadness about the death.

“It is with great sadness that I received the news of the passing of the renowned poet and novelist, Gabriel Okara. Even in passing, I am sure your poem, “Piano and Drums”, will ‘minister’ to me in many ways.

“Your words are an inspiration! Your concerns about the African culture in the face of Western ‘threat’ as expressed in “Once Upon a Time” are ever before me.

“Thank you for leaving us with so much to remember of your time here with us. Thank you for setting the pace for several generations of writers,” he said.

Reacting to his death, Mr Uzoh Nwamara, the Chairman, Association of Nigerian Author (ANA), Rivers State, told Daily Sun, “It is with great shock that the ANA Rivers family received the news of the passage of our literary icon, Pa Gabriel Imomotimi Okara, today. He was with us at our last Literary Excellence Day held on October 14, 2017, in Port Harcourt as a recipient of our highest literary award that day.

“He was his usual calm and dignified self. I still remember when Chinua Achebe died in 2013, and I interviewed him jointly with our dear father and patron, Dr Elechi Amadi, on Garden City Radio, 89.9 FM. He lived a larger than life image through his works. Meeting him in person was like meeting Elechi Amadi in person. Their unassuming humility and palpable dignity will shock and humble you.

“He was a first class member of the first generation of modern African writers with numerous awards to show for it. This month of March has not been a good one for the Nigerian and African literary community. We have lost too many of our cherished own this month. We pray that the boatman ferries him across the river gently to the pantheon of literary gods for he was a complete literary gentleman.”

For the revolutionary critic, Doc Udenta O. Udenta, “Gabriel Okara’s The Voice is an iconic representation of postcolonial disillusionment. They were disappointed with the post colony, so they took to writing to protest. The novel is unique for its linguistic experimental, almost a direct transliteration of his native Ijaw language. I, also, remember, with nostalgia, of his poem, ‘Fisherman’s Invocation’ as a student.

“His death is a passage of literary, cultural icon. I am glad that his state government has tried to immortalise him while alive by naming a cultural centre in the state capital, Yenagoa. I hope others will do the same. He will be missed by all.”

Also, Soji Cole, the winner of the 2018 Nigeria Prize for Literature, was saddened by his demise. He said, “Okara’s The Voice remains one of my best early Nigerian novels. I cherish it. May your soul find peaceful repose, great one.”

Muhammadu Buhari, the Nigerian President has equally reacted to the death of the late iconic writer, Pa Okara, through a statement issued by his Special Assistant on Media and Publicity, Femi Adesina, today.

“The President extols the great story-teller whose powerful use of imagery and symbolism in his literary writings helped the world to appreciate and understand the richness, complexities and uniqueness of the African heritage and culture."

Born on April 24, 1921, late Gabriel Imomotimi Gbaingbain Okara is a lifelong Patron of the Association of Nigerian Authors (ANA) and touted as the first modernist poet of anglophone Africa as well as an all-encompassing writer whose thoughts and works appear to be greatly influenced by his immediate environment. 

Born in Bumoundi in Yenagoa, Bayelsa State, he was educated at Government College Umuahia, and later at Yaba Higher College. In 1945, he found work as a printer and bookbinder for colonial Nigeria’s government-owned publishing company, where he remained for nine years, during which he began to write.

At first, he translated poetry from Ijaw into English and wrote scripts for government radio. He studied journalism at Northwestern University in 1949, and before the outbreak of the Nigerian Civil War (1967–70), worked as Information Officer for the Eastern Nigerian Government Service.

Together with late Chinua Achebe, Okara was roving ambassador for Biafra’s cause in 1969. From 1972 to 1980, he was director of the Rivers State Publishing House in Port Harcourt.

His literary talent was spotted in 1953 when his poem, The Call of the River Nun, won an award at the Nigerian Festival of Arts. Some of his poetry was published in the literary magazine Black Orpheus. By 1960, he had won renown as an accomplished literary bard, with his poetry being translated into several languages. Piano and Drums is another popular poem of his featured in several anthologies.

His first novel, The Voice, was published in 1964. Besides his poetry and fiction, Okara has also written plays and features for broadcasting. Sadly, many of his unpublished manuscripts were destroyed during the Nigerian Civil War.

In 2005, his poetry volume, The Redeemer, His Vision, was joint winner of the highest literary prize in Nigeria, NLNG-sponsored the Nigeria Prize for Literature, with Ezenwa Ohaeto. Other awards he won in his lifetime included Commonwealth Poetry Prize, for The Fisherman’s Invocation (1979), and, in 2009, the Pan African Writers’ Association Honorary Membership Award.

The Words Finesse  (TWF) can't conclude this post without presenting you with two of late Pa Gabriel Okara's famous poems. Kindly enjoy as reflective pieces.

Piano and Drums

When at break of day at a riverside
I hear the jungle drums telegraphing
the mystic rhythm, urgent, raw
like bleeding flesh, speaking of
primal youth and the beginning
I see the panther ready to pounce
the leopard snarling about to leap
and the hunters crouch with spears poised;

And my blood ripples, turns torrent,
topples the years and at once I’m
in my mother’s laps a suckling;
at once I’m walking simple
paths with no innovations,
rugged, fashioned with the _naked
warmth of hurrying feet and groping hearts
in green leaves and wild flowers pulsing.

Then I hear a wailing piano
solo speaking of complex ways in
tear-furrowed concerto;
of far away lands
and new horizons with
coaxing diminuendo, counterpoint,
crescendo. But lost in the labyrinth
of its complexities, it ends in the middle
of a phrase at a daggerpoint.

And I lost in the morning mist
of an age at a riverside keep
wandering in the mystic rhythm
of jungle drums and the concerto.

- Gabriel Okara


The Call of the River Nun

I hear your call!
I hear it far away;
I hear it break the circle of these crouching hills.

I want to view your face again and feel your cold embrace;
or at your brim to set myself and inhale your breath;
or like the trees, to watch my mirrored self unfold and span my days with song from the lips of dawn.

I hear your lapping call!
I hear it coming through; invoking the ghost of a child listening, where river birds hail your silver-surfaced flow.

My river’s calling too!
Its ceaseless flow impels my found’ring canoe down its inevitable course.
And each dying year brings near the sea-bird call, the final call that stills the crested waves and breaks in two the curtain of silence of my upturned canoe.

O incomprehensible God!
Shall my pilot be my inborn stars to that final call to Thee.
O my river’s complex course?

- Gabriel Okara