Otosirieze joins three other judging panel for 2018/19 Gerald Kraak Prize and Anthology


The Gerald Kraak Award and Anthology has announced the appointment of Otosirieze to the 2018/19 judging panel. The organisers made the announcement via a press release:  

"The Gerald Kraak Prize and Anthology would like to welcome Otosirieze as a judge for the 2018/19 Gerald Kraak Prize and Anthology. He will judge the prize alongside judges Sisonke Msimang, Sylvia Tamale and Mark Gevisser."

Founded in 2016 by the Jacana Literary Foundation and the Other Foundation, in honour of the late activist Gerald Kraak, the R25 000 Gerald Kraak Prize aims to honour African writing and photography that “provokes thought on the topics of gender, social justice and sexuality.” 

The shortlisted works are published in an anthology. The 2016/17 award went to Ugandan-born Kenyan photographer Sarah Waiswa and Kenyan writer Farah Ahamed. Its anthology, Pride and Prejudice, was launched in May 2017. The 2017/18 award went to Nigerian nonfiction writer Pwaangulongii Dauod. Its anthology, As You Like It, was launched in May 2018.

Submissions for the 2018/19 prize closed on 31 August 2018. The shortlist will be announced in December and the winner at a ceremony in Johannesburg.

About the judges:
Otosirieze is a writer, editor and literary journalist, and is deputy editor of the African literary culture website Brittle Paper. He is also an editor at 14, Nigeria’s first queer art collective, which has published two volumes, We Are Flowers and The Inward Gaze. Otosirieze is the curator of the Art Naija Series, a sequence of themed e-anthologies of writing and visual art exploring different aspects of Nigerianness, including Enter Naija: The Book of Places and Work Naija: The Book of Vocations. His fiction has appeared in The Threepenny Review and Transition, and has been shortlisted for the inaugural Gerald Kraak Prize and for the Miles Morland Writing Scholarship. He attended the University of Nigeria, Nsukka and taught English at Godfrey Okoye University, Enugu. He has completed a collection of short stories, You Sing of a Longing, and is represented by David Godwin Associates literary agency. He can be found at otosirieze.com.

Sisonke Msimang is the head judge of the award and is a writer and columnist for the Daily Maverick in South Africa. She has held fellowships at Yale University, the Aspen Institute and the University of the Witswatersrand in Johannesburg. She was born in Swaziland to parents who were political exiles and raised in Zambia, Kenya and Canada, before going to the United States as an undergraduate. Her family returned to South Africa after the release of Nelson Mandela and the unbanning of liberation movements in the early 1990s. She currently lives on planes, navigating the distance between South Africa and Australia. She is the author of Always Another Country: A Memoir of Exile and Home and the forthcoming The Resurrection of Winnie Mandela.

Sylvia Tamale is a Ugandan academic and human rights activist in Uganda. She was the first female dean in the Law Faculty at Makerere University, Uganda. In 2011 she published the book African Sexualities: A Reader. Her research interests include gender and sexuality, women in politics and feminist jurisprudence. Tamale has published extensively in these and other areas and has served as a visiting professor at several academic institutions globally and on a number of international human rights boards. Tamale holds an LLB from Makerere University, an LLM from Harvard Law School and a PhD in sociology and feminist studies from the University of Minnesota.

Mark Gevisser graduated from Yale University in 1987 with a BA magna cum laude. His books include Defiant Desire: Gay and Lesbian Lives in South Africa (1994), which he edited with Edwin Cameron; Portraits of Power: Profiles in a Changing South Africa (1996), a collection of his celebrated profiles from the Mail & Guardian; Thabo Mbeki: The Dream Deferred, which won the 2008 Sunday Times Alan Paton Award for Non-Fiction; and Lost and Found in Johannesburg: A Memoir (2012), which was shortlisted for both the Sunday Times Alan Paton Award and the Jan Michalski Prize for World Literature. He wrote and produced a feature-length documentary film, The Man Who Drove With Mandela (1998), which won the Teddy Award for Best Documentary at the 1999 Berlin Film Festival, and he has been shortlisted for an International Emmy for one of his scripts for the crime series, Zero Tolerance (2004). His journalism has appeared in publications ranging from The New York Times, The Guardian and Granta to most South African newspapers.

Poetry |When I Meet My Maker| by Sakeenah Jatto


The ears of my Maker shall not be denied of this 
That you promised to be your best
But made a U-turn when you eyed the rest
You told me to accept it and not to say a word 
You asked me to leave work, that I needed to be worked on
I will tell my Maker how you lied to me

When I meet my Maker
I will tell Him the days I skipped my prayers
I will tell Him how I slept without some ishā
How hard I worked day and night to be fit, to fix and feed you
I will tell Him how you made me forget my maker
I will ask if really "you owned me" and not Him

When I meet my Maker
I will plead with Him to temper justice with mercy
That I was only jealous of you having Nancy
Which made me forget I was made for nothing
Other than to bow to You my maker

I will ask my Creator to punish you rather
For making me feel less to Nancy
For telling me always that you owned me
For making me patronize Sidi for the slow poison

When I meet my Maker
I will tell Him how I killed out of jealousy
How my heart popped out seeing your corpse
I will tell my maker truly I have wronged
And because I know He is the God of Justice
I will walk straight to hell because you made me nothing but evil


SAKEENAH JATTO is a Muslim lady, a native of Kogi state, Nigeria. She is final year student of English Education, University of Ilorin. She is a Radio broadcaster and a compere, a teacher in training, a writer, an humanitarian and a poet with the pen name "tranquil_pen". She has written several poems and short stories. She enjoys writing, impacting on younger generations and  loves engaging in meaningful discourses. She is a member of ANA (Association of Nigerian Authors), Kwara state chapter and Penwarriors Incorporations.

Short story |His First, His Best| by Henry Chukwuemeka Onyema

Photo credit: Dreamtime.
It was the kind of night when spirits and human beings contested ownership of the earth. This was the period called morning-night. The sky was an inky blanket of darkness unpunctured by a moon. The stars fought valiantly but vainly to occupy the heavens. Crazy forms emerged and dissolved, given substance by febrile imagination. This was the hour when nature surreptiously stole the alertness of even the best guards.  This was the moment when human nerves were sapped by the mysteries of the dark. The hour when the gates fell to the barbarians; the wooden horse penetrated the city’s defences. This was the hour of the commando.

 Danji wondered whether the pounding he heard belonged to his heart or head. Whichever, what was clear was that it emanated from his body. Sweat bathed his face beneath the balaclava mask he wore. He wondered if his finger could effectively curl around the trigger of the Uzi submachine gun hanging from a strap on his right shoulder. He glanced at the man crouching in the darkness a few feet away. Ajayi was almost invisible; only the inkiness of the night contradicted the darker hue of his commando outfit. Danji held his breath and wondered for the umpteenth time how it would turn out. How the world would explode once the raid began.  

It was his first. And absolutely nothing he had learnt prepared Danji for this numbing fear; this awful urge to pee though the newest member of the 249 Special Battalion, Burning Spear Company Squad 9, knew there was nothing in his bladder. The images in his head were better locked up in the deepest recesses of his brain but somehow, in spite of his best efforts, they kept zooming in his face. There was some justification for this.  Danji and his mates were about to assault a stronghold of Kamadeem, the notorious chief of the Holy Warriors, the deadly group of terrorists who had held the country, especially the far Northern provinces by the balls for the past five years.  Kamadeem had become a law to himself, slaughtering, raping and rampaging at will. Even the security forces of the state were not exempted from the group’s attacks. They attacked military bases at will, captured senior police and army officers and videotaped their beheadings. The gory tapes were either put up on internet media platforms or sent to the offices of the country’s security chiefs.  The Holy Warriors shook the country when they openly attacked the country’s only military airport. Although the assault was foiled, the terrorists destroyed a number of transport aircrafts and attack helicopters and did substantial damage to the airport’s facilities.  The group captured and held large swathes of territory and openly poked their bloodstained fingers in the eyes of the government. It appeared they were unstoppable. Till the new helmsman took over in an election he won by promising the terror-stricken citizens that he would kick out the Holy Warriors in a year if voted into office. The electorate believed him. After all he was a retired army brigadier, a veteran of countless anti-insurgency operations and a winner of many blood-soaked battles against all kinds of territory-seeking marauders and fanatics.

Almost two years had gone and the war was far from won. There were forces, both internal and external, who ate their hair as they swore to keep the bloodbath going. A few did so because they believed in Kamadeem’s mad ideology.  Some because of political and tribal designs, including undiluted hatred for the brigadier and all he stood for. Many opposed him because an end to the war would block their sources of influence and power. But an overwhelming number of opponents opposed him because the bloodbath nurtured, fertilized and enriched the soil of corruption from which they fed fat: the inflated sums for weapons that never got to ill-clad and ill-equipped troops; the allocations for a war on terror that ended up in coded bank accounts; the hydra-headed contracts. A vigorous pursuit of the war would stop the flow of the milk and honey.

But the brigadier, against stomach-bursting odds, did not relent. The result was that on this fateful night, midway into the president’s tenure, this group of handpicked commandos was making an assault on Kamadeem’s lair. The journey to this hell of a night had been long, arduous and bloody.  The turning point was the establishment of the 249 Battalion which was commanded by a protégé of the president. The battalion was closely patterned after the British Special Air Service Regiment (SAS), a force whose officers had been earnestly requested for by the president to set up the unit. The British Prime Minister wisely sent him retired SAS officers to do the job. In the finely nuanced but no less gritty world of politics and diplomacy, there was a subtle difference from sending serving officers. The president accepted the compromise and so far the result had been satisfactory. Acting on solid intelligence and using methods the conventional forces were unused to, the 249 Battalion took the war to the Holy Warriors and for the first time the terrorists were on the defensive.  But it was a grim affair. The battalion’s casualty rate was staggering and replacing the dead was not easy. Danji was one of the most recent recruits who met the unit’s exacting standards.

The intelligence that led to this operation indicated that Kamadeem, who was always on the move, had a number of hideouts, some in the most unimaginable places. It took a while before he was tracked down to this one which was a big man’s palatial residence in the upper-crust King’s Boulevard.  Squad 9 was the arrowhead of the assault. There were twenty-five of them under the command of newly promoted Captain Hassan Tamuniye, one of the first members of the unit. His SAS trainers adjudged him a first-class anti-terrorism material and so far he had not disappointed. He spotted Danji during a recruitment exercise at the 563 Military Police camp where the twenty-four year old corporal had been serving since he joined the army a few years ago. Hassan had taken a fancy to the short and deceptively slim soldier and was delighted when Danji emerged with no less than eighty percent in each aspect of the gruelling training.

Danji carefully unslung his Uzi and waited. Good God, he prayed incoherently, not knowing what else to add. His insides seemed to have developed a will of their own. He took a deep breath. Try all he could, he could not muster enough moisture to moisten his tongue. He finally tracked down the steady pounding to his heart but there was nothing he could do to control it. Without glancing at the blackened surface of the special wristwatch he wore, a unique gadget each member of Squad 9 had, he knew the boom and blast would begin in barely five minutes. He glanced towards the immobile Ajayi. The guy is hardened, he thought. He does not look like someone about to wet his pants. Like me. The two of them would follow Sergeants Fagbeni and Ayakata through the gaping hole of the intimidating electrified rear fence which Fagbeni would blow open with the massive bazooka resting snugly across his back. Hassan and two of his boys, if things were going according to plan, were currently noiselessly taking out guards at the heavy double front gate with commando knives and other special silent instruments of death. In prearrangement with the power supply corporation, electricity had been cut from the area. Although this part of the city did not depend on the hyper-inefficient national power supply to survive. The brief cover of artificial darkness helped the squad and their back-up get into place without being spotted.

Danji counted in his head. One. Two. Three. Four. Five. His eyes focused on the squat shape of Fagbeni as he moved into place behind the cluster of trees opposite the fence, holding the evil-looking bazooka like a toy. Ayakata was behind him to load the weapon and support him. The earth itself held its breath in anticipation. Danji and Ajayi tensed.

When it came, the explosion was solid. One second, the colossal, wired and iron-tipped fence simply came apart. Fagbeni and Ayakata performed a deadly duet. Even as they threw themselves down to avoid the backblast, Ayakata reloaded from the cache of rockets crisscrossing his back. One more blast, and even before it totally died out, they were on the move. 

Danji should have moved forward. He should have followed Ajayi at full speed, his Uzi set on full automatic and firing bursts of 9mm steel jacketed death.  He had done this dozens of times in training.  The fear in his belly should have propelled him forward like the rocket, turning him into a killer machine. But Danji simply froze. At that moment, he was a living statue caught in the deadly grip of battle terror.

 ‘‘Come on!’’ Ajayi’s growl was muffled by his balaclava mask.  Danji’s ears rang with the sounds of war and his booted feet started moving as if they were not his.  They hit the yawning gap created by the bazooka. At that moment three fleeing terrorists nearly ran slap bang into them, their rifles blazing. Danji’s finger curled around the trigger as he screamed from unalloyed fear. Ajayi opened fire with sharpshooting speed and accuracy. None of the trio had a chance as the high-velocity bullets hurled them into the night. Ajayi grabbed his colleague and pulled him into the shadow of a wrecked car.

‘‘Guy, you want to stay alive?’’ he thundered, yanking down his mask to reveal feral eyes and clenched teeth. Danji could only nod.

‘‘Then get a grip on yourself.  If you try that rubbish again I swear I will kill you myself and save these bastards the labour.’’ He meant it. Danji shuddered. At that moment, he realized he had more to fear from Ajayi than the terrorists.

‘‘Move it.’’

They broke into a run.

******

It was a bloodbath. Kamadeem and his men fought back like madmen despite being surprised.  They were heavily armed and outnumbered the soldiers by at least five to one. The commandos had strict orders not to call in air support because of the residential nature of the attack zone. But Hassan radioed his back-up as soon as it became clear that the operation was turning from a quick assault to a pitched battle. He lost four men in five minutes. Finding Kamadeem was another matter. As he led the search for the terrorist chieftain, bursting from room to room, gunning down anyone who raised even a finger in a threatening manner, Hassan’s stomach rolled with a growing fear that the much-prized horse might have bolted.  In the name of the ancestors, who sold us out? he wondered. Not even the British-trained 249 was immune from the attacks of the demons of corruption and ethnicity that had kept the war going for a long time.

Fagbeni, the second-in-command for this mission, was leading another desperate search on the grounds of the massive compound. Corpses lay in awkward positions under bullet-blasted floodlights. They included Alsatians belonging to the terrorists. Fagbeni’s eyes darted towards a building behind the badly shot up garage. He had taken cover behind the body of one of Kamadeem’s men. Ajayi and Danji were with him. Danji was drenched in sweat and urine but at least he was on the move and doing all the things expected of him in this nightmare. 

 ‘‘See that building?’’ Fagbeni’s voice was intense.

 Ajayi and Danji nodded.

‘‘We are moving in. Cover left, Ajayi. Danji, right. You know what to do.’’

Danji nearly screamed: I don’t, Sarge. But he jumped to his feet like the hounds of hell were after him and took off, his eyes darting furiously, gun at the ready. He had barely moved a few feet when the hounds broke free in the most unexpected manner.

The bullet wrecked garage exploded in a frenzy of battle. Guns blazed from under, around and even above blasted vehicles. How the terrorists concealed themselves there in perfect invisibility was incomprehensible. But their rifles, light machine guns and machine pistols roared. Fagbeni’s scream was cut short by a blaze of bullets to the upper part of his body. As Danji hit the ground, rolling frantically for cover, he saw Ajayi open point-blank fire before high-calibre bullets hurled him a good four feet away.  He struggled to his feet, drenched in blood but another blistering hail of iron threw and kept him down permanently. The corporal could not even think. The desperate search for cover concentrated his mind. He landed bang in a wide hole where rubbish was burnt, stifling a scream as a stiff arm entangled his neck. It belonged to one of the soldiers. Half of his head was gone.

He dived behind the corpse, struggling to ignore the awful thing happening in his head. It was a crystal-clear realization that death was rushing at him in full force.  The realization grabbed his survival instinct by the throat in a vice-like grip but it fought back murderously. The enemy had broken cover. They were making a dash for escape, guns distilling pure death. They had realized they outnumbered and probably outgunned their attackers. 

Danji’s eyes and brain were furiously fast.  There were about seven or eight of them heading his way.  The one on the far left…it was all heated up by smoke and sounds of battle but he looked like the numero uno.  

‘‘No!’’ His scream echoed in his ears as something slammed into the side of his face with the brutality of a camel’s kick. Fear fled at once and Danji opened fire, breaking cover at the same time. He knew he was at death’s door but at that moment he did not give a damn.  All that mattered was taking as many of the sons of harlots with him to the immortal realm.  He wanted them to pay for killing Ajayi and Fagbeni; two good men. His Uzi continued chattering at full automatic as steel pounded into his body. Any man would have fallen under the impact. But Danji was not any other man at that moment. A demented laugh escaped his lips as his killers screamed under the devastatingly accurate sweep of his gun. Its blinding muzzle flash showed that his final guess on earth was right. When he finally landed on his knees, blood pumping out of his body like a vandalized oil pipe, none of the terrorists was alive. The Uzi slipped from his nerveless fingers and he toppled over.

Hassan and the back-up team found his body. Kamadeem was lying five feet away from him, his chest shredded by 9mm bullets, his eyes wide open in shocked death.

‘‘By Allah, he won this war for us,’’ the Captain whispered as medics stretchered Danji’s body into a lorry designated for carrying fallen squad members. 

Danji got a twenty-one gun salute at his funeral, a posthumous elevation to a full rank Lieutenant and the Distinguished Combat Star.

###

Henry Chukwuemeka Onyema studied History and International Studies at Imo State University, Owerri, Nigeria. A teacher by profession and a writer by vocation, his fiction and non-fiction have been published on literary sites and in print media such as naijastories.com, Brittle Paper, Kalahari Review, africanwriters.com, and 'The Sun' newspaper. He writes from Ikoyi, South-West, Lagos State, Nigeria.

Henry Chukwuemeka Onyema's His First, His Best is a heroic and human story of a rookie soldier under fire in his first counter-terrorist operation after elite training as a member of his country's Special Force. It shows how a person can rise above numbing fear to become an unexpected game-changer. The story was one of the 92 popularly selected by readers out of 500 entries for the 2018 Writivism Short Story Competition.

The Emma Press calls for poems about insects for children’s anthology


The Emma Press has called for submissions of poems about insects, for a children’s anthology to be edited by Fran Long and Dr. Isabel Galleymore. 

The anthology will be part of the publisher’s continuing series of themed anthologies of poetry for children. It accepts international entry, as long as such entrant have bought an Emma Press book or ebook.

Poets are invited to send in up to 3 poems, which should be suitable for readers aged 8+, and which will enthuse youngsters about the wonders of insects by either taking the readers on a journey of discovery to learn about insect anatomy, or inspire young readers about insect super powers. Or the ones  that could help children identify and classify insects.

The Emma Press accepts previously published poems as long as such entrant hold the rights to the poems and can license such to them. It also accepts translations, and translators can submit multiple proposals as long as they are one translation per author. The Emma Press offers each anthologised poet two complimentary copies of the book and a discount on future purchases of the book.

How to submit to Insect Poems
You must be a member of the Emma Press Club. Meaning you must have bought a book or ebook from the Emma Press website in this calendar year, since January 1, 2018, or already have been accepted into the club.

Place a maximum of three poems, each no longer than 65 lines, into a single Word/PDF/ODF document and only include text in the document and not images. Make sure your submission is anonymous. Also make sure you haven’t put your name or any biographical notes in the document and be aware that you will be asked to rename your document at a certain stage within the Google form.

Fill in the Google form HERE – it will tell you everything you need to know.

 The submissions will close on 5th of October, 2018.

Send all enquiries to hello@theemmapress.com. The team responds to every submissions. Hence, you will get an automatic receipt and a response once it receives your submission.

For more information on the call, visit HERE

Goethe-Institut calls for submission to Afroyoungadult Short stories


The Goethe-Institut has invited aspiring African writers of all ages interested in writing for Young Adults (YA) to submit short stories, 3,000 to 5,000 words in length, in Kiswahili, English or French.

Afroyoungadult, published by the Goethe-Institut, will feature Young Adults (YA) stories.

Selected authors will be published in an anthology and will participate in workshops in February 2019. 

The anthology will be available in Kiswahili, English, and French, and launched at the 2019 Ake Festival.

If interested, send your short story to afroyoungadult@gmail.com with a short biography and your preferred city for the workshop. 

The workshops will take place in the following languages in the following cities:

KISWAHILI: Dar es Salaam, Tanzania.

FRENCH: Lome, Togo; Dakar, Senegal.

ENGLISH: Accra, Ghana; Kigali, Rwanda; Lagos, Nigeria; Nairobi, Kenya; Johannesburg, South Africa.

The deadline for submissions is 30th of November this year. Announcement of selected entries will be made on 3rd of January, 2018. The workshops will take place between 11th of February  to 15th of February, 2019. 

Therefore, it's pertinent that only writers who will be in Africa and can travel to attend their chosen workshop should submit to the call.

Send all  enquiries to afroyoungadult@gmail.com.