Excitement In UAE as Nigeria’s Soyinka, who won the 1986 Nobel Prize in Literature, is appointed Arts Professor of Theater at NYU Abu Dhabi (NYUAD), effective September 1.
“Remember Wole Soyinka? The beloved Nigerian playwright and Nobel Laureate? Well, he is now a member of the faculty at the NYU Abu Dhabi,” Gulf News announced as excitement permeated Abu Dhabi and the entire United Arab Emirates (UAE).
The Words Finesse reports that the NYU Abu Dhabi (NYUAD) appointed Soyinka, who won the 1986 Nobel Prize in Literature, Arts Professor of Theater effective September 1, 2022.
Described by the gulf newspaper as a “multifaceted artist-dramatist, poet, essayist, musician, philosopher, teacher, human rights activist, and global artist and scholar,” Soyinka is reportedly joining the “NYUAD Theater Program as a full-time faculty member, thereby offering the community direct access to one of the world’s greatest thinkers.”
Soyinka’s appointment is aligned with NYUAD’s Academic Strategy and its mission as a university in and of Abu Dhabi and the UAE. He will play a key role in continuing to enhance the University’s standing within the arts and its growth as a preeminent research and teaching university and leader in global higher education.
"It is a great honor to have Wole Soyinka, a world-renowned artist, academic, and activist, a true citizen of the world and a Nobel laureate join our NYUAD community,’’ said NYUAD vice chancellor Mariët Westermann.
“Our location in Abu Dhabi, a transnational crossroads for the exchange of cultural and artistic traditions, positions NYUAD uniquely to catalyse new creativity and discourse. We are excited to provide a home in the UAE for the beauty and power of Soyinka’s contributions to our understanding of our histories and our humanity,” she added.
“Soyinka has built an impressive legacy in his home country of Nigeria as well as Africa and the entire world. The students he has taught and mentored, and the legion of teachers who have translated, developed and extended his ideas, remain the most tangible and long-lasting legacy. Our community is privileged to be part of that journey and his ongoing work that will impact generations to come,” said NYUAD provost Arlie Petters.
Soyinka has published more than 90 works on culture and tradition, creativity and power, activism, and the artistic process. His most recent book published in 2021, ‘Chronicles from the Land of the Happiest People on Earth’, is a New York Times Notable Book of the Year, and has been described in the Los Angeles Times as a tour de force combining “elements of a murder mystery, a searing political satire and an Alice in Wonderland-like modern allegory of power and deceit”. Soyinka has previously held positions at other higher education institutions, including Harvard, Yale, Duke, Emory, and Loyola Marymount in the United States. He is also an active member of international, artistic, and human rights organisations.
In terms of his works, Soyinka’s The Lion and the Jewel (1959), A Dance of the Forests (1960), Kongi’s Harvest (1964), and Death and the King’s Horseman (1975) are widely regarded as his best works. Along with his writing career, he has worked as an actor, and in theaters in Nigeria and Great Britain.
The NYUAD Theater Program is an academic and artistic laboratory dedicated to theater research, scholarship, and practice. For NYUAD’s theater majors, the making, thinking, creating and articulating of culture are inseparable, and the overall aim is to develop artist-citizens whose theatrical contributions will expand the limits of the field and make a difference in the world. NYUAD Theater Program graduates collaborate with other artists, scientists, and scholars across disciplines and invent new and hybrid cultural practices that will define and influence theater in the UAE and beyond.
Nigerian-born Varsity Scholar Shortlisted For Canadian Poetry Award
An Associate Professor at the Carleton University, Canada, Nduka Otiono, has been shortlisted for the Archibald Lampman Award for poetry for his new collection of poems, DisPlace: The Poetry of Nduka Otiono.
The Archibald Lampman Award is an annual Canadian literary prize awarded to the year’s most outstanding collection of poetry by a writer living in the National Capital Region.
Announcing his nomination on his Facebook page on Tuesday, the academic expressed excitement at his latest feat.
Giving more information about the award, the Nigerian-born Otiono said, “The announcement of the Archibald Lampman Award winner will take place at the Ottawa Book Awards ceremony. The event will take place in person on Wednesday, October 19th, 2022, at Les Lye Studio at the Meridian Theatre, starting at 7 PM EST.”
He further congratulated other shortlisted poets and appreciated his associates, for their contributions to the success of his book.
“Congratulations to the other shortlisted great poets, and thanks to my family, friends, associates -especially Chris Dunton and Peter Midgley- and my publisher, Wilfrid Laurier University Press,” Otiono said.
Speaking on Otiono’s anthology, the Jury said, “Otiono’s edited collection of poetry reflects consummate diasporic writing, as at ease in Lagos as in Edmonton. Crafty and aware, these poems give us Otiono’s take on history, global petroleum, national politics, but also spend valuable time musing on tradition, literature, and love.
“Beyond the poems themselves—which churn with linguistic play, rhythmic force, and searing insight—this volume includes helpful commentary and a thoroughly illuminating interview between Otiono and Chris Dunton. Wonderful poetry from a poet who is already internationally important.”
Otiono, who hails from Delta State, had held multiple positions and won awards in Nigeria before relocating to Canada in 2006.
Prior to his relocation, Otiono had been a journalist for 15 years. He was the National Secretary of the Association of Nigerian Authors (2001-2005), two-time winner of the Carnegie Africa Diaspora Fellowship, and has held other scholarly positions.
In July, he was appointed as the Director of the Institute of African Studies at the Carleton University.
Last year, Otiono emerged as the Vice President of the Canadian Association of African Studies.
ANA Calls For Submission To Girl-Child Rights' Anthology
The Kwara State Chapter of the Association of Nigerian Authors (Kwara ANA) calls for submissions on its Girl-Child Rights Creative Work Compendium Titled: GLASS ROSES.
Unpublished original works in genres of Poetry, Prose, Drama, Book review, Article critique, and Visual arts are eligible for submission.
Submission should be Sent by Clicking This Link and Fill the Form Or mailing to Kwara ANA's email: kwaraana15@gmail.com
Submission deadline is March 25th, 2022.
For Correspondences or Inquiries, Contact: Abdul on +2348038419857, Sakeenah on +2348100616543 and Rofiat on +2348083853800.
Success at Last: A Review of Usman Akanbi's Reconnecting with my Past| by Mahfouz A. Adedimeji
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Book cover of e-copy on Amazon |
Book: Reconnecting with my Past
Author: Usman Oladipo Akanbi
Reviewer: Mahfouz A. Adedimeji
Publisher: Rextun Books
Year of Publication: 2020
Pages: 136
Background
Recently, a retired professor of Linguistics at the Massachusetts Institute of Technology (MIT), USA, who was voted as world’s topmost public intellectual alive, Noam Chomsky, described what it means to be truly educated as a response to a question. According to the world’s “most important intellectual alive today”, as Chomsky was further characterised by the New York Times, being truly educated means “knowing, understanding many things but also, much more important than what you have stored in your mind, to know where to look, how to look, how to question, how to challenge, how to proceed independently, how to deal with the challenges that the world presents to you and that you develop in the course of your self-education and inquiry and investigations, in cooperation and solidarity with others.”
The quest to find one’s voice and feet in a world populated by 7.8 billion people is a daunting task and immense struggle demanding balanced education that transcends schooling. The consciousness of this need, the determination to pursue it and the purposefulness to apply it are the hallmarks of success in our world where things are not actually the way they seem until a deliberate effort is made to seek, to yearn and to know. What I call balanced education is the functional combination of traditional, Islamic and Western education, which Prof. Ali Mazrui had famously described as African’s triple heritage regarding traditional culture, Islamic culture and Western culture all (Adedimeji, 2020).
Usman Akanbi’s Reconnecting with my Past is evident of the desideratum of balanced education in the making of a Total Man, who the author is, a conclusion that would be easy to reach by every keen reader of his book. The success of this book is foregrounded by the author’s capacity to deal with the challenges of life based on his robust, true, functional and balanced education which undoubtedly is the need of this age.
Autobiography Plus
Usman Akanbi’s latest book is an autobiography for the simple reason that a palace is basically a house. But in all fairness, a palace is more than a house; so, this thrilling narrative is an ‘autobiography plus’, not a conventional one. This is because an encounter with Reconnecting with my Past is not just a voyage into the life of the author, it is also an excursion into the culture and ethnography of Ilorin, the history and politics of Nigeria and a reflection on the state of the world.
More specifically, the book offers a dispassionate commentary on the state of the Nigerian nation, a critical appraisal of student unionism and a reconnection with a rather tumultuous journey through life, with an inimitable gift for recalling names and details. The saying that without knowing where you are coming from, you cannot know where you are going finds resonance in the authorial leitmotif.
As a matter of fact, for those who see the author from a distance without reconnecting with his past, it would be tempting to assume, given his unassuming mien and genteel visage, that that he is one gentle person without realising that here is a dogged fighter, an independent thinker, a resilient radical and a committed activist who is impassioned by the desire to make his society better. Besides, it would be clear that he has been somehow influenced by his no-nonsense father and national icon, the late Honourable Justice Mustapha Akanbi, who once dismissed a snitch that being a unionist is not bad or despicable. “Babakibaba lo nbi ọmọkọmọ (bad fathers give birth to bad boys) I was also a unionist, it all depends on the cause” (p.39).
Organisation
Structurally, the book is divided into seven parts with such appurtenances as references and index that readily give out the author as an academic. The first part is “In the Beginning” where the author provides the cultural context of the book as the author unfolds his appreciation of Ilorin and aspects of its traditions, from marriage to Islamic education system, from Ramadan season to Eid festival, from naming ceremony to other cultural nuances. This background feeds his “Education and Training”, the subject of Part II, where his primary, secondary and university education is presented including his views and impressions about people and places he traversed, from Kano and Ilorin to Port-Harcourt. His interesting and turbulent student life as a foremost student leader is provided with telegraphic details though the central theme is on his education.
In Part III, “Student Unionism and Youth Activism”, the author undertakes an appraisal view of student unionism in Nigeria and how the students of today appear to have derailed in riveting penmanship. According to him, “the salacious movie scenes, musical acts and realities (sic) shows on the audio-virtual mediums are great motivations to the lewdness that has permeated major campuses of Nigeria society (sic). Just like the now banned cigarettes and alcohol advertisements, these motivators have had the great influences on the average youths – their dress senses, hair styles, manner of speaking and tastes in general” (p.45).
Though many Nigerians are wont to blame only the government for all our national woes, it is perceptive that the author holds everyone, including parents, elders, teachers and the society at large, to account for what has become of the country, In his words, “Hushpuppi and his likes are a reflection of the failure of government to effectively harness the youth potentials, failure of those in government to show the desired direction/leadership, failure of those in government, in all strata, to lead by veritable examples, failure of our education system…failure of a society that now glorifies those with ill-gotten wealth, failure of a society that has lost the true meaning of what patriotism to one’s country really means, failure of elders in upholding those noble and decent ideals that helped built (sic) great nations around the world – on and on goes the list of our failures” (p.46-47).
In Part IV or “Career Trail”, we are taken on a journey through the travails and victories of the corps member teacher at Government College Ibadan (GCI), debonair banker at the First Bank, civil servant at the National Maritime Authority (now Nigerian Maritime Administration and Safety Agency), administrator of a World Bank-assisted Fadama Development project, family man and academic, with scintillating insights and thought-provoking prognoses. The same theme, more or less, runs through Part V, which the author calls “My Other Sways and Fraternities”, where he discusses his dalliances with party politics, his engagement with creative writing that culminated in a number of works and becoming Chairman of the Association of Nigerian Authors, Kwara State Chapter. He also sheds light on family, friends and foes alike in a manner that shows him to be sensitive. Quite impressively, in giving all these accounts, the author is brutally honest and self-critical.
In Part VI or “My Travelogues”, Usman Akanbi expectedly takes us on a cruise to Ghana, Kenya, Benin Republic and Ethiopia while providing some highlights of his pilgrimage to Saudi Arabia and a professional workshop he attended in The Netherlands. His experiences no doubt have further shaped his personality and reinforced his keen perception of Nigeria. “One remarkable thing I noticed among nationals of the countries I visited is the spirit of loyalty and patriotism for their country; unfortunately, Nigerians are largely conditioned by their ethnic and religious sentiments and what’s more, unrestricted greed, avarice and personal aggrandizement, all at the expense of building a great country,” he notes (p.92). Any Nigerian who knows Nigeria would find it extremely difficult to disagree with him.
In the last part of the book, which he calls “Random Thoughts and Commentaries Crystallized”, the political history of Nigeria is briefly interrogated while taking a panoramic overview of his understanding of global events and developments, especially the recurrent racism in Trump’s America. As an economist, an appraisal of the Nigerian economy is also undertaken; as a lecturer, he takes ASUU and Government to task on the perennial strikes; and as an analyst, he draws some vital lessons out of the corrosive coronavirus pandemic.
Though many Nigerians are wont to blame only the government for all our national woes, it is perceptive that the author holds everyone, including parents, elders, teachers and the society at large, to account for what has become of the country, In his words, “Hushpuppi and his likes are a reflection of the failure of government to effectively harness the youth potentials, failure of those in government to show the desired direction/leadership, failure of those in government, in all strata, to lead by veritable examples, failure of our education system…failure of a society that now glorifies those with ill-gotten wealth, failure of a society that has lost the true meaning of what patriotism to one’s country really means, failure of elders in upholding those noble and decent ideals that helped built (sic) great nations around the world – on and on goes the list of our failures” (p.46-47).
In Part IV or “Career Trail”, we are taken on a journey through the travails and victories of the corps member teacher at Government College Ibadan (GCI), debonair banker at the First Bank, civil servant at the National Maritime Authority (now Nigerian Maritime Administration and Safety Agency), administrator of a World Bank-assisted Fadama Development project, family man and academic, with scintillating insights and thought-provoking prognoses. The same theme, more or less, runs through Part V, which the author calls “My Other Sways and Fraternities”, where he discusses his dalliances with party politics, his engagement with creative writing that culminated in a number of works and becoming Chairman of the Association of Nigerian Authors, Kwara State Chapter. He also sheds light on family, friends and foes alike in a manner that shows him to be sensitive. Quite impressively, in giving all these accounts, the author is brutally honest and self-critical.
In Part VI or “My Travelogues”, Usman Akanbi expectedly takes us on a cruise to Ghana, Kenya, Benin Republic and Ethiopia while providing some highlights of his pilgrimage to Saudi Arabia and a professional workshop he attended in The Netherlands. His experiences no doubt have further shaped his personality and reinforced his keen perception of Nigeria. “One remarkable thing I noticed among nationals of the countries I visited is the spirit of loyalty and patriotism for their country; unfortunately, Nigerians are largely conditioned by their ethnic and religious sentiments and what’s more, unrestricted greed, avarice and personal aggrandizement, all at the expense of building a great country,” he notes (p.92). Any Nigerian who knows Nigeria would find it extremely difficult to disagree with him.
In the last part of the book, which he calls “Random Thoughts and Commentaries Crystallized”, the political history of Nigeria is briefly interrogated while taking a panoramic overview of his understanding of global events and developments, especially the recurrent racism in Trump’s America. As an economist, an appraisal of the Nigerian economy is also undertaken; as a lecturer, he takes ASUU and Government to task on the perennial strikes; and as an analyst, he draws some vital lessons out of the corrosive coronavirus pandemic.
Appraisal
Francis Bacon once noted that some books are to be read only in parts, others to be read, but not curiously; and some few to be read wholly, and with diligence and attention. I am convinced that Usman Akanbi’s Connecting with my Past also belongs to the last category especially on the strength on its wide-ranging and far-reaching thematic concerns and its crisp and eloquent style. Deeply engaging and downright unputdownable, the author’s fluid language and impressive narrative technique make the book taste like honey. One agrees fully with the Moshood Shehu-Atagisoro in his fantastic foreword that the beauty of the book lies in “how the author has woven a personal odyssey, spanning space and time, into a rich and embroidered tapestry of commentary on history, culture, marriage, religion, education, student activism and management of failure and success.” It is a rich and remarkable addition to the growing Nigerian literature of autobiographical sub-genre.
From a critical angle, Connecting with my Past is an excellent book but it is not perfect. The aim of every responsible writer is to attain excellence, not perfection, which is God’s exclusive preserve. The book appears to have been written in a hurry, perhaps to meet a self-imposed deadline, especially with reference to some infelicities bordering on mechanics, some of which are evident in the cited extracts. The tone with which two or so accounts were also presented could also be moderated because blood is thicker than water and having ‘frienemies’ is natural or automatic for anybody who is somebody like him in life.
Conclusion
Generally, Usman Akanbi’s autobiography plus is a compelling read that takes a reader through a life of struggle with contending forces at home in Ilorin and at other places like Lagos, Port-Harcourt, Kano, Minna and Ibadan where the author schooled or resided at one time or the other. It is a veritable source of inspiration to the youth in particular and the readers in general that the journey of life is not a walk in the park but a sail through the storms and that with a sense of purpose and determination, one can rise above one’s limitations and challenges.
As earlier adumbrated, Connecting with my Past is a sound and resounding testament to the author’s Chomskyan true education. It clearly shows that this is a writer who knows his onions and understands many things, including the scriptures of Islam and Christianity the quotes from which garnish the book, among other quotes, and he also understands where to “proceed independently” and “deal with the challenges that the world” presents before him. The implication is that just as true or balanced education has made him succeed in overcoming obstacles, surmounting challenges, making new beginnings and thriving ultimately in the ongoing journey of life, anyone can also succeed especially if they strive as success is not accidental.
Based on its vast merits as a confluence of rich ideas and crucial information about diverse areas of life in a world that is constantly evolving, Connecting with my Past is definitely a book that is worth reading again and again. It is of historical relevance, social importance, political significance, cultural value just as it is good for personal development. It transcends the confines of a mere personal story as it has potential to change the perspective of viewing and adjusting to life generally. The youth especially will find the pearls in it useful in ornamenting their life through appreciating that true or balanced education is the summun bonum of life. I commend the author and recommend the book to all, the young and the young at heart particularly.
Reference
- Adedimeji, M. A. (2020). Fostering Functional Education System for Peaceful Co- existence in Nigeria: Islamic and Western Perspectives. In Jimba, M. M., M. A. Adedimeji, M. A. Lawal and M. S. Abdullahi (2020) (eds.) Language and Religion for National Development: A Festschrift for Prof. A. G. A. S. Oladosu. pp. 127 – 137. Ilorin: Department of Arts Education, University of Ilorin.
© Mahfouz A. Adedimeji is an Associate Professor of Pragmatics and Applied English Linguistics, of the Department of English, in the University of Ilorin, Ilorin, Nigeria.
Takeaways From The Journey Of Literary Enthusiasts To Salt Of The Nation To Brainstorm Literary Criticism In The Atmosphere Of Creative Writing And Digital Production In The 21st Century
By: Abdulhafeez T. Oyewole
The Association of Nigerian Authors (ANA) along with Alex Ekwueme Federal University Ndufu-Alike, Ikwo (AE-FUNAI), Ebonyi State, recently held second annual Nigerian Literature International Conference and Workshop at the University's Auditorium.
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Poetry| Like Clouds In The Heavens| by Abdulhafeez Oyewole
These words are famous like Lincoln Erudite and oratory as Luther King Heavy like Sullivan and Fury- Jabs you would gladly pray miss you S...
